Form emerges like memory—soft, imperfect, and deeply human. Held in Fiber is sculpted from flax paper pulp, a material that carries both strength and fragility in the same breath. The piece leans into the language of the body without fully declaring it, suggesting a presence rather than defining one.
The surface holds traces of its making—pressed lines, embedded gestures, subtle staining—like echoes of movement captured mid-thought. Its organic curvature creates a quiet tension between containment and release, as if the form is both protecting something and trying to let it go.
Mounted with fishline from the ceiling, it becomes almost architectural, and is allowed to move with the enviroment.
Form emerges like memory—soft, imperfect, and deeply human. Held in Fiber is sculpted from flax paper pulp, a material that carries both strength and fragility in the same breath. The piece leans into the language of the body without fully declaring it, suggesting a presence rather than defining one.
The surface holds traces of its making—pressed lines, embedded gestures, subtle staining—like echoes of movement captured mid-thought. Its organic curvature creates a quiet tension between containment and release, as if the form is both protecting something and trying to let it go.
Mounted with fishline from the ceiling, it becomes almost architectural, and is allowed to move with the enviroment.