Form emerges like memory—soft, imperfect, and deeply human. Held in Fiber is sculpted from flax paper pulp, a material that carries both strength and fragility in the same breath. The piece leans into the language of the body without fully declaring it, suggesting a presence rather than defining one.

The surface holds traces of its making—pressed lines, embedded gestures, subtle staining—like echoes of movement captured mid-thought. Its organic curvature creates a quiet tension between containment and release, as if the form is both protecting something and trying to let it go.

Mounted with fishline from the ceiling, it becomes almost architectural, and is allowed to move with the enviroment.

Formed from abaca paper, this piece becomes a suspended surface—light, porous, and quietly resilient. Delicate linear arcs move across the form, suggesting a structure that isn’t rigid but responsive, like something built to hold without containing.

The subtle tonal shifts and embedded marks feel like traces of time—impressions rather than statements. Nothing here insists; it invites. The work exists in a state of gentle tension, where fragility and strength are not opposites but collaborators.

A sculptural mixed media piece exploring tension between fragility and structure. Hand-formed flax pulp wraps around layered rattan rings, creating a rhythm that feels both protective and exposed. Mounted on a deeply textured background of collaged handmade Lokta paper, the work plays with shadow, depth, and restraint.

The organic fibers soften the geometry of the rattan, allowing the piece to hover between painting and sculpture — like a preserved form, unearthed and still quietly expanding. The contrast of raw natural materials against the dark surface gives the work a grounded, meditative presence with a subtle architectural edge.

Neutral Tension explores the quiet push and pull between restraint and movement. Handmade flax pulp forms an organic circular shape that feels both grounded and unsettled, while carved concentric lines create a sense of motion beneath the surface. Mounted on a collage of deep black Lokta paper, the raw texture of the flax becomes amplified — soft against sharp, fragile against bold. The piece invites viewers to sit in the tension between calm and disruption, where neutrality is never truly still.

“Hanging Narrative”

Mixed media assemblage with papier-mâché, found objects, and collage ephemera
12 x 8 x 4 in.

A surreal scene unfolds inside this shadowbox — a bat, sculpted from papier-mâché and faux fur, hangs quietly amid a collage of vintage ads, matchbooks, and city relics. The piece is framed in black and trimmed with playful symbols — safety pins, bottle shapes, and color pops — transforming the box into both stage and reliquary. The suspended bat becomes a metaphor for inversion: a world seen upside-down, where the mundane (cigarettes, comics, urban grit) meets the mystical.
Part curiosity cabinet, part cultural critique, this work hovers between humor and haunting — a wink and a warning wrapped in paper and memory.

Meet Rock Monster — a wild, one-of-a-kind paper mâché creation that’s equal parts attitude and humor. With flaming guitar in hand and a grin full of personality, this hand-built creature radiates the energy of an impromptu garage concert gone delightfully rogue.

Crafted from layers of hand-painted paper mâché and bursting with texture and color, Rock Monster celebrates imagination at full volume. It’s bold, eccentric, and impossible not to smile at — a statement piece for collectors who like their art loud, playful, and unapologetically original.

Hand-formed from flax and abaca pulp, this sculpture balances strength and fragility in equal measure. The fibers hold tension—soft yet structural—capturing a moment that feels both grounded and weightless. Its surface reveals the quiet labor of making, where raw plant material is transformed into something intimate, tactile, and alive.

Man with Shield explores protection, vulnerability, and resilience through layered handmade paper and sculptural form. Created from hand-pulled flax pulp over a Lotka paper background, the figure emerges fragmented yet grounded, wrapped in looping lines that suggest movement, tension, and emotional armor. Gold-toned elements act as both shield and scar — symbols of strength formed through wear, repair, and survival. The raw textures and torn edges celebrate the imperfect beauty of handmade materials while reflecting the fragile balance between defense and exposure.

Fish Out of Water is a joyful burst of color and texture — a three-dimensional paper sculpture that practically swims off the wall. Built from layers of hand-painted and patterned papers, each scale and curve reveals a playful mix of pattern, rhythm, and movement.

This one-of-a-kind piece celebrates the centuries-old craft of paper art, reimagined with a modern, sculptural twist. Bold and bright, it brings a sense of whimsy and conversation wherever it’s displayed — perfect for collectors who love art that makes a splash.

He stand and is as large as life - 18 high x 28 wingspan and 24 depth. Scales, spikes and talons .

Meet Louie the Dragon — proof that not all dragons are fierce. Some, like Louie, just want to make friends and steal the spotlight. Built from layers of hand-painted papier-mache, Louie’s expressive eyes, textured scales, and golden wings give him a personality as big as his wingspan.

Crafted through hours of sculpting, layering, and painting, Louie combines humor, texture, and movement in a way that celebrates the joyful possibilities of handmade art. Equal parts fantasy and fun, he’s the ultimate conversation piece — ready to guard your studio, your living room, or your heart.

This piece doesn’t try to clean itself up. Fibers stretch, break, and tangle across the surface like a life pulled too far in too many directions. Abaca holds the tension—fragile, but stubborn—while scattered fragments cling on like memories that won’t sit still.

Nothing is resolved here. Threads wander without pattern, looping, snagging, refusing to be contained. The structure feels temporary, like it could give way at any moment, yet it endures—messy, exposed, and fully honest.

Torn Life, Threads Everywhere lives in that space where things fall apart but don’t disappear. It’s about what remains when control is lost—when life frays, stretches, and keeps going anyway.

Handformed from flax pulp, this sculptural paper piece explores texture, memory, and quiet transformation. Layered organic forms rise from a richly textured surface, revealing the raw beauty and strength hidden within natural fibers. The work balances softness with structure, inviting viewers to slow down and notice the subtle marks, edges, and imperfections that give handmade paper its soul.

Paper Relic No 1 explores the tension between fragility and permanence through layered handmade paper and sculptural form. Created from flax pulp and mounted on a surface of collaged recycled handmade papers, the piece feels both excavated and preserved — like an artifact carrying traces of memory, ritual, and time.

The concentric forms emerge softly from the surface, suggesting weathered shields, ancient maps, or the quiet imprint of something once held sacred. Rough edges and visible fibers remain intentionally exposed, honoring the handmade process and the imperfect beauty of natural materials.

This work invites viewers to slow down and consider what survives: texture, history, touch, and the marks left behind long after words disappear.

Handmade flax and abaca paper stretches across the wall like a fragile skin, marked by ruptures of deep red fiber. Circular forms drift and overlap—suggesting cycles, orbits, or attempts to contain what cannot be held. The work lives in the tension between control and unraveling, where structure tries to organize chaos but never fully succeeds. Each embedded fragment feels like a moment caught mid-impact—memory, body, or emotion—refusing to settle.

It asks quietly: what do we keep circling, even as it pulls us apart?

Fish Out of Water is a joyful burst of color and texture — a three-dimensional paper sculpture that practically swims off the wall. Built from layers of hand-painted and patterned papers, each scale and curve reveals a playful mix of pattern, rhythm, and movement.

This one-of-a-kind piece celebrates the centuries-old craft of paper art, reimagined with a modern, sculptural twist. Bold and bright, it brings a sense of whimsy and conversation wherever it’s displayed — perfect for collectors who love art that makes a splash.