This piece leans into the quiet drama of the everyday—where a simple arrangement becomes something almost cinematic. Hand-formed leaves stretch upward with a raw, sculptural presence, their veins exaggerated and alive, pushing against the deep, moody blue backdrop. The surface carries a tactile honesty—creases, imperfections, and layered fibers that refuse to be smoothed out.
The vase sits grounded yet slightly off-balance, holding the stems like a moment paused mid-breath. Below, the oranges—imperfect, textured, sun-warmed—anchor the composition with a pulse of warmth against the cool field above.
What makes this piece so unique:
The vase and oranges are made from papers created by the artist using recycled materials - think junk mail.
The plant is make from cardboard and cut so it lifts of the wood cradle and self shadows.
The background is Lotka Paper from Nepal and Mulberry Paper treated with Konnyaku powder.
This piece leans into the quiet drama of the everyday—where a simple arrangement becomes something almost cinematic. Hand-formed leaves stretch upward with a raw, sculptural presence, their veins exaggerated and alive, pushing against the deep, moody blue backdrop. The surface carries a tactile honesty—creases, imperfections, and layered fibers that refuse to be smoothed out.
The vase sits grounded yet slightly off-balance, holding the stems like a moment paused mid-breath. Below, the oranges—imperfect, textured, sun-warmed—anchor the composition with a pulse of warmth against the cool field above.
What makes this piece so unique:
The vase and oranges are made from papers created by the artist using recycled materials - think junk mail.
The plant is make from cardboard and cut so it lifts of the wood cradle and self shadows.
The background is Lotka Paper from Nepal and Mulberry Paper treated with Konnyaku powder.